000 02243nam a2200193Ia 4500
008 231002s9999 xx 000 0 und d
020 _a9789715427043
040 _cHuman Rights Violations Victims' Memorial Commission
050 _aPL 6141
100 _aGarcia, J. Neil C.
245 4 _aThe post colonial perverse :
_bcritiques of contemporary Philippine culture, volume two
260 _bQuezon City
_cUniversity of the Philippines Press
300 _bxix, 227 pages;
504 _aIncludes bibliographical references and index.
520 _aThe Postcolonial Perverse is a two-volume collection of fifteen different critiques of varying “aspects” of contemporary Philippine culture. The work’s “eclectic” topics range from the independent cinema movement to the mystifications of nationalist poetics, from sacrilegious “avant-garde” art to the deconstruction of an inaugural text in the Philippine anglophone tradition, and from reflections on the contact zone between science and art to the impertinent question of our foremost national hero’s quizzical gender and sexual identity. The title’s two concepts—“postcolonial” and “perverse”—are almost symmetrically split across these two books, urging the reader to more sharply intuit and “experience” the project’s central theme. Namely: that the postcolonial hybridity or cultural mixedness that characterizes Philippine life is the same thing as the perverse inability of its agents to stay committed to principled and categorical thought. In the Preface the author, Professor J. Neil C. Garcia, offers the reading that it is perhaps our culture’s relatively recent and uneven literacy—as well as its enduring residual orality—that has brought this “perverse” situation about, rendering Filipino social memory fluid and malleable on one hand, and social relations and norms eminently negotiable on the other. And yet, what’s interesting is that it is precisely upon this ambivalent cultural ground that Filipinos must endeavor to fashion their sense of collective being—which is to say, their national identity.
650 _aPhilippine literature
650 _aPhilippine literature -- History and criticism
942 _2lcc
_cFIL
999 _c1586
_d1586