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American imperial pastoral : the architecture of US colonialism in the Philippines

By: Material type: TextTextPublication details: Quezon City Ateneo de Manila University Press Description: xi, 281 pagesISBN:
  • 9789715509299
Subject(s): LOC classification:
  • DS 689.B2
Summary: In 1904, renowned architect Daniel Burnham, the Progressive Era urban planner who famously "Made No Little Plans," set off for the Philippines, the new US colonial acquisition. Charged with designing environments for the occupation government, Burnham set out to convey the ambitions and the dominance of the regime, drawing on neo-classical formalism for the Pacific colony. The spaces he created, most notably in the summer capital of Baguio, gave physical form to American rule and its contradictions. In American Imperial Pastoral, Rebecca Tinio McKenna examines the design, construction, and use of Baguio, making visible the physical shape, labor, and sustaining practices of the US's new empire--especially the dispossessions that underwrote market expansion. In the process, she demonstrates how colonialists conducted market-making through state-building and vice-versa. Where much has been made of the racial dynamics of US colonialism in the region, McKenna emphasizes capitalist practices and design ideals--giving us a fresh and nuanced understanding of the American occupation of the Philippines.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Filipiniana Filipiniana HRVVMC Library Filipiniana Books Fil DS 689.B2 M35 2017 (Browse shelf(Opens below)) Available FIL-0000336

Includes bibliographical references and index.

In 1904, renowned architect Daniel Burnham, the Progressive Era urban planner who famously "Made No Little Plans," set off for the Philippines, the new US colonial acquisition. Charged with designing environments for the occupation government, Burnham set out to convey the ambitions and the dominance of the regime, drawing on neo-classical formalism for the Pacific colony. The spaces he created, most notably in the summer capital of Baguio, gave physical form to American rule and its contradictions. In American Imperial Pastoral, Rebecca Tinio McKenna examines the design, construction, and use of Baguio, making visible the physical shape, labor, and sustaining practices of the US's new empire--especially the dispossessions that underwrote market expansion. In the process, she demonstrates how colonialists conducted market-making through state-building and vice-versa. Where much has been made of the racial dynamics of US colonialism in the region, McKenna emphasizes capitalist practices and design ideals--giving us a fresh and nuanced understanding of the American occupation of the Philippines.

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